Ok, like the year past, I am going to put a list of films released in commercial cinemas that ms hit me personally. The cycle plan-do-check-act (plan-do-check-act PDCA) model is a very well-known for continuous improvement of processes (continuous process. The acquisition will become effective on January 23, 2015 and follows. For CCN, the only way to ensure the flow of foreign investments. Sunday August 9, 2015 Journal Response ‣ 03. Cancn ; consolidates its position as a safe destination. Excellent season. Movies For Apple Ipod Straight Outta Compton (2015) there. V. A. Summer Total 2. MP3 Share This Material with Your Friends on Facebook, Twitter and Whatsapp. While more People Share This Material, More People Will be able to Enjoy it. Watch Loving Online G Nula. Loving online: Virginia, one thousand nine hundred and fifty-eight. In a context in which interracial marriages were prohibited, Mildred (Ruth Negga), a black woman, becomes pregnant with Richard Loving (Joel Edgerton), a white man. For this reason, the loving couple moved to Washington. There will be married, with the goal of legitimizing their relationship and give him an education and a future to his son. The drawback will come when the Loving wish to return to your home. And is that, beyond the danger of being arrested because their marriage is illegal. The two are going to be forced to choose between continuing in Washington, where the law protects them, or stay with his family and his long-awaited rural life, and face a prison sentence. Inspired by the story of the HBO The Loving Story (two thousand eleven), this story based on the real events that happened in Virginia in nineteen fifty-eight is directed by Jeff Nichols (Midnight Special, Mud, Take Shelter). Joel Edgerton (The revenge of Jane, The gift) and Ruth Negga (Warcraft. The source, Agents of SHIELD) leading a cast that also find Nick Kroll (The league fabulous), Jon Bass (Jane Wants a Boyfriend), Marton Csokas (The Equalizer. The protector), Bill Camp (Black Mass, severely delinquent) and Michael Shannon (Take Shelter). Watch loving online. The reader who has carefully followed the path until the data of the screenplay writer and director american Jeff Nichols, is going to be perceived, because his concept of the image your employment solemn of the panoramic format, the flow, calm of the performers in the frame, his homing instinct for the line of the horizon and the exterior - make your film an exercise in landscaping, almost pictorial, and, more specifically, in a manner of figurative abstract with resonances archetypal: the depth-of-field, the brushwork is firm and clear, make up in the films Nichols the cool of the American, the ebbs and flows of the cultural heritage as it is logical, also a film - of a country in perpetual crisis and reinvention, sometimes scene of desolation and at times a mirage. To step to the foreground, the stroke fragile, it falls to the actors present in such a landscape, the children without parents and the parents adopted whose experiences refer silently to the biblical and mythological, and whose circumstances solve essential aspects of being american: the violence in Shotgun Stories (two thousand seven), the paranoia in Take Shelter (two thousand eleven), family in Mud (two thousand twelve), the utopia in Midnight Special (two thousand sixteen), the love in Loving. In fact, the new film from Nichols unusual, the best years of his career at the side of Take Shelter - this is a huge love story, and, by extension, a huge story. Something relevant, as it is based on real events and their media dimension, which, in the film of the day today, used to be namesake of servitude very detrimental to the qualities empowering of the fiction. In Loving, however, agree to the collective as History it's a subsidiary of what shapes the individual with the history that breathes from day to day. An approach to artistic and political today in countercurrent, which finds full expression in a number of images which give the hand the precision and naturalness, and a narrative look easy but full of elegance and insight. Nichols never gets above the season than plasma, and less of its protagonists, the americans on foot, workers, lovers. And, not regrets, but rather thanks to it, he ends up getting from each one of the attitudes and the resolutions adopted Richard and Mildred are taken undoubtedly no an overview of aberrations systemic and personal dignity. If you liked the movie be sure to follow us: We.